Band Rising

It is this photography ‘purest’ to whom I appeal (this time) – the ones that still like using film every now and then. Most photographers have Digital SLRs (DSLR – “et moi aussi”). I know you can create this effect with Photoshop, after the fact; but having creative control over this special effect makes it exciting because you execute this photo miracle at the precise moment you push the shutter button. Ghosting. This is what this special effect is called; accomplished by using your SLR’s multiple exposure feature, but with a simple twist to ensure proper film exposure. The procedure detailed in this article is different from the instructions in your SLR manual.

Through highlighting edges of your photo, you also highlight its details. The method of unsharp mask and others like the difference of Gaussians increase the change in brightness close to each step. This technique’s standard version adds a bright halo along the bright edge of the step and a dark halo along the dark edge. Depending on what effect you’d like for your image, there are advantages in just using one or the other. Using both may not do very much to improve your image, though.

Making your own brushes can sometimes be hard. So in this tutorial I will show you how to make your own brush. With the knowledge you’re about to learn you will be able to make your own custom brushes to use. To start making our brushes, what we need to do first is make a fractal. I know there are other programs out there that will allow you to make fractals but my favorite is Apophysis. What you want to do is make a fractal that you think would make for a good brush. You want it to be big and unique. This is the fractal I will be using: Usually I like to have more going on in a brush. Right now I don’t thinkthat this fractal would make a good brush. So I’m going to add more to it. To add more to it, I’m going to take a second fractal and add it to my current one. This is the fractal I will be adding. To add these fractals together we first want to drag our second fractal over to the first one. Then select your top layer (which should be your second fractal) and set the blending mode to Linear Dodge.

Did you know that Photoshop is color blind? When I say “color blind”, I don’t mean it has a little trouble distinguishing between certain shades of green and purple. I mean it’s completely and totally blind when it comes to color. All Photoshop sees is black and white. Well, black, white, and a lot of shades of gray in between, but that’s it. The world’s most powerful image editor, an industry standard among photographers, designers, and virtually all creative professionals, capable of producing millions, even billions of colors has no idea what color is.

If you have tones of images to resize or you want to perform the same action the next day or so. It’s tedious to repeat these steps. Photoshop Actions allows you to record the steps you perform and re-play with one click so you don’t have to keep on doing the same thing again and again. Using Photoshop Actions: Open up an image you want to resize and bring up the Photoshop Actions panel (Windows -> Actions) At the bottom of Action panel, click on the Create New Action button.

Photoshop training is one of the best investments you can make in your professional career. Whatever field you’re working in, Photoshop training can help you reach your full potential. Anyone who works with digital images and graphics knows that the Adobe Photoshop line of software is the tool of choice for graphic designers and professional photographers around the world. The Photoshop interface hasn’t changed a great deal since the earliest versions, so users can easily upgrade to Photoshop CS2 from any previous version. Photoshop CS2 has powerful new features that will aid designers in all fields. You can literally use Photoshop CS2 to create any visual effect that you can image-if you can dream it, you can create it with Photoshop. Like previous versions of Photoshop, CS2 is available for both Macintosh and Windows. And the best thing about the new version is the price: Photoshop CS2 costs less than previous versions of Photoshop.

Pictures are made up of many things, editing requires knowledge of all 3: 1) Contrasts adjustments (the highlights and the shadows) 2) Neutral tones balance (color cast on grey) 3) Increasing or decreasing the saturation The work flow of the photographic post production can be performed with many adjustment tools as: Brightness/contrast – Color Balance – Hue/Saturation, or Levels – Hue/Saturation, or Auto-Adjustments – Sponge. This tutorial is very brief and introduces a new method to decrease color cast on neutral tones. The picture has a really intense orange color cast. I took this picture of Christopher Columbus’ statue along the “lower pavement” in Funchal (Madeira Island). No need to be a colorimetric expert to understand that, the light effect due to the night orange lights is to much. The goal is to decrease color cast, of course, without changing the “meaning” of the picture.First of all we duplicate the background layer. Then we apply Filter>Blur>Average, that will transform the picture’s layer into a colored “stain” by the average pixels’ color. Then we have to invert (ctrl i) the obtained color in order to see the opposite color.Now we change blending mode to Color (read also Blending modes tutorial) and decrease master opacity until we obtain our goal. And that’s all!

Capturing picture perfect photographs has never been quite as easy as digital photography makes it. Of course, you still have to pay attention to those essentials like choosing the right light conditions, the theme and everything that comes along with it. However, with digital technology, you still have the room to edit out those unforeseen errors and can allow yourself that extra bit of space which is invaluable if you aren’t quite the wiz with your digital camera. But even though you may have spent hours selecting the editing software that is most conducive to your level of skill and requirements, it still isn’t much good if you have to spend ages laboring over the bare essentials you need to give your images that much-needed makeover. And hence, it is vital that you master these few basics before you move on to handling those complicated maneuvers that will eventually aid you in re-mastering your images.

Before you set out to edit your image, always make sure that you have a backup copy of the original with you. That way, even if you do make a complete disaster of the image, you still have the original to get back to, and rework from scratch, if need be. To do this, you first need to open a copy of your image with the editing software, and then click on the ‘Save As’ option, which will copy a replica of the original to a convenient part of your computer. You can begin to experiment with the copy of the image, once you’ve ensured that the original is intact. Almost every photo-editor encourages you to be as experimental as you can, with the ‘Undo’ option close at hand if you need to erase any changes you’ve made. Some, more advanced versions even allow you multiple undo options to save only the changes you want to and discard the rest.

Being a pro when it comes to maneuvering around the image is vital to how quick and easy your editing process is. A popular navigating tool is the ‘Hand Tool’ or the ‘Pan Tool’ which allows you to work your way up and down the image, without making any inadvertent changes to it. You can also choose the zoom options to be more accurate in your editing process which are represented by the ‘Magnifying Glass Tool’. This tool displays a plus sign as you draw in to make the necessary changes and the negative sign as you zoom out to assess the effect of your changes to the overall image. While most types of software let you left click on the image to zoom in or out, many versions also let you right click on the image to proceed in set increments.

Although your image may appear unclear and hazy when you zoom into it, it does not mean that the final image that you create will appear quite that way. This distortion appears only because the pixels of your image get separated and hence, more distinct, which also gives you more precision. You can even use the ‘Eyedropper’ tool which lets you select only pixels in a specific color, without having to worry about skipping a minute part of your image when you are in the process of editing it.

Your editing software will also be enabled with what are known as ‘Marquee’ tools, which let you trace basic shapes like rectangles and circles or even ellipses around your image. You can also use the freeform tool for drawing around unsymmetrical shapes which do not fit into the rectangular or circular frames. This freeform tool lets you trace around the image by holding your mouse button down or clicking around the image to create a series of dots which will automatically connect to each other, once you click on the first dot again. And once you’re through with your selection, a flowing dotted line will appear around the highlighted portion of your image.

These basic functions set the stage for the more advanced tools which you can use to create spectacular effects and even make discreet changes to enhance your images. The easiest and most foolproof technique to augment the focus of your photograph is to crop the edges off with the subject in the center. You can even hue your images with a subtle tint to imbibe it with a special theme using the array of filters that your editing software provides you with. You can also paint brush strokes over your image, just as you would with a physical painting, to add color and even paint out slight blemishes in your image.

Your skills at editing your digital photographs will be as developed as your willingness to experiment is. The more you dabble in the unconventional, the wider array of tools you use, which also increases your familiarity with the software. And once you are aware of the true potential of your editing software, you’ll soon discover the multitude of opportunities it offers, thus metamorphosing your images into spectacular works to art!